Posted on Wed, May 23, 2007
I've been hearing buzz about the Recorderman method of recording drums, but it always seemed kinda strange, so I never tried it. I've really been missing out. Here's the basic idea:
This makes both mics perfectly equidistant from the bass and snare drums, aimed right at 'em. Here's the A/B comparison with a song I've been working on. It starts off with the Recorderman method, and then goes to the way I had it before, then back and forth.
It really has a beautifully clean sound. The best part is that the snare drum is so much more present, and in some songs, wouldn't even need a direct mic. I added a little bit of gated direct mic with heavy compression and a medium attack time, just to give it a nice "crack". The phase coherency is truly noticable, and the stereo image is much better. I'm totally sold (as soon as I stop giving "love taps" to the the shoulder mic). Thanks Des and Recorderman!
EDIT: Link to the sample audio fixed - sorry!
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